Ancient Greek Lists

Ancient Greek Lists: Catalogue and Inventory Across Genres

Ancient Greek Lists brings together catalogic texts from a variety of genres, arguing that the list form was the ancient mode of expressing value through text. Ranging from Homer's Catalogue of Ships through Attic comedy and Hellenistic poetry to temple inventories, the book draws connections among texts seldom juxtaposed, examining the ways in which lists can stand in for objects, create value, act as methods of control, and even approximate the infinite.

Klarman Hall

Jill Frank

Focused on the historians, poets, and philosophers of Ancient Greece, my research seeks resources in these past thinkers for contemporary democratic theory and practice. With completed projects exploring the topics of law, judgment, persuasion, justice, property, and nature, I am currently writing on the question of constitution, the relation between aesthetics and politics, and the practice of power in Plato and Aristotle, Aeschylus, Sophocles, and Thucydides.

/jill-frank
Book cover of The War That Made the Roman Empire

The War That Made the Roman Empire

Following Caesar’s assassination and Mark Antony’s defeat of the conspirators who killed Caesar, two powerful men remained in Rome—Antony and Caesar’s chosen heir, young Octavian, the future Augustus. When Antony fell in love with the most powerful woman in the world, Egypt’s ruler Cleopatra, and thwarted Octavian’s ambition to rule the empire, another civil war broke out. In 31 BC one of the largest naval battles in the ancient world took place—more than 600 ships, almost 200,000 men, and one woman—the Battle of Actium.

Klarman Hall

Mike Fontaine

I'm a Latinist with broad interests in Ancient Rome, the Renaissance, the Reformation, and the Enlightenment. My latest books are on willpower and free speech, both for Princeton University Press. Previous books covered wine, swine, grief, mind, breakups, and a good laugh. Oh, and a few years ago I was parodied on Saturday Night Live (really! see it here).

/mike-fontaine
Klarman Hall

Gail Judith Fine

Professor Fine received her PhD from Harvard in 1975, and joined the Sage School in the same year. Her main interest is in ancient philosophy, but she is also is interested in the rationalists and empiricists, and in epistemology and metaphysics. In recent years, she has taught courses on the rationalists, on conflicting appearances, ancient skepticism, and Plato's metaphysics and epistemology. She received Cornell's Clark Award for Distinguished Teaching in 1992. In 1998-1999 she was a Fellow at the Cornell Society for the Humanities. She is currently working on a cluster of issues centered in ancient epistemology, especially in Plato, Aristotle, and Sextus Empiricus. She currently spends the spring semester in Oxford, where she is a Senior Research Fellow in Merton College and a Visiting Professor of Ancient Philosophy in the Faculty of Philosophy.

/gail-judith-fine
Klarman Hall

Charles Brittain

Charles Brittain is a Professor of Classics and of Philosophy, specializing in ancient philosophy.

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Klarman Hall

Tad Brennan

I study Ancient Greek Philosophy: primarily Plato and Aristotle, but also the Stoics, Skeptics, Epicureans, Pre-Socratics, and late Platonists.

/tad-brennan
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Cornell University

Poster for Adelphoe

The Department of Classics together with the Classics Society and Quodlibet present ADELPHOE "The Brothers" by Terence in the original Latin (supertitles in English) on Friday, April 22 at 7:00 PM in Rhodes-Rawlings Auditorium in Klarman Hall.

Sponsored by the SAFC.

The College of Arts & Sciences

120 Goldwin Smith Hall
Ithaca, NY 14853
United States

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Cornell University

Ancient torso/image courtesy of David Kordansky Gallery

Film screening and discussion: Fall into Ruin

Friday, May 13, 2022 at 5:00pm

Klarman Hall, Atrium
232 East Ave, Ithaca, NY 14853

Fall into Ruin tells the story of artist William E. Jones’s relationship with Alexander Iolas (1907-1987), a Greek art dealer from Alexandria active in New York and European cities from the mid-1950s to the mid-1980s. Iolas had close connections to the Surrealists, to artists associated with Nouveau Réalisme, and to American artists such as Ed Ruscha, Harold Stevenson, and Paul Thek. At the height of his career, he maintained galleries in New York, Paris, Madrid, Geneva, Milan, and Athens.

After Iolas’s death from AIDS in 1987, the art collection in his house disappeared; this collection included Egyptian, Greek, and Roman antiquities, as well as works by artists Iolas represented, including Max Ernst, René Magritte, Man Ray, Victor Brauner, Matta, Yves Klein, Takis, and Niki de Saint Phalle. The empty house was later vandalized extensively. For Fall into Ruin, Jones returned to a place he first visited when he was 19 years old. The film includes not only contemporary images of the site in its ruined state, but also photographs Jones took in 1982 of Iolas’s house in its glory.

The screening is part of a series events related to the exhibition The Sculpture Shoppe at Ithaca Mall (open May 5-30). It will be followed by a discussion and Q&A with the exhibition’s curators (Annetta Alexandridis, David Nasca, and Verity Platt), after which attendees are invited to a reception in the History of Art gallery.

The College of Arts & Sciences

120 Goldwin Smith Hall
Ithaca, NY 14853
United States

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Klarman Hall

Caitie Barrett

Caitlín Eilís (Caitie) Barrett is an archaeologist who investigates everyday life, religious experience, and cross-cultural interactions in the ancient Mediterranean. She is currently co-directing an excavation at Pompeii – the Casa della Regina Carolina (CRC) Project (http://blogs.cornell.edu/crcpompeii), a joint Italian/American project sponsored by Cornell University and the University of Bologna – and working on a new book about the archaeology of ancient Greek household religion.

/caitie-barrett
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Cornell University

Poster for the Sculpture Shope at Ithaca Mall

Thursday, May 5, 2022 at 5:00pm

Ithaca Mall 40 Catherwood Road Ithaca, NY 14850

Opening times are Wednesdays and Thursdays 4:00-8:00 PM and Saturday and Sunday 12:00-5:00 PM, starting May 5 until the end of the month.

The Sculpture Shoppe at Ithaca Mall is an exhibition of plaster reproductions of classical Greco-Roman art from the Cornell Cast Collection and responses to cast culture and classical art by contemporary artists and thinkers. The exhibition will take place from May 5-31, 2022, in a former retail space at the Ithaca Mall (next to the Food Court). By bringing classical art and contemporary responses into an unexpected context through the venue of the near-abandoned shopping mall, we hope to draw the public into conversations about the history, problematics, and mutability of the “western canon”.

The exhibition opening will feature a live performance at 6:00 PM:

MUSE–AK: a Mall Performance of Ancient Greek Song
 
Like statues from antiquity, ancient Greek song comes mediated: in fragments, etched in stone, recast in modern “Classical” molds, or revived in attempts to recover an “original.” MUSE–AK: a Mall Performance of Ancient Greek Song reinterprets three such songs as muzak in the style of so many mass-produced soundtracks to retail spaces such as the Ithaca Mall. The concert features human musicians and an animatronic statue named Muse 3000.

Artists featured:

Katherine Akey, Daniel G. Andújar and Richard Fletcher (Minus Plato), Sherwin Banfield, Laurie Berenhaus, WonJung Choi, Jeanne Ciravolo, Dan Daly, Benjamin Entner, Pablo Garcia-Lopez, Gemelxs VS, William E. Jones, Athena Kirk, Angaelica LaPasta, Gracelee Lawrence, Rebecca Levitan and Danny Smith, Virginia Maksymowicz, Leeza Meksin, Muse AK (Rusty Keeler, Stephen Sansom, Norm Scott, and David Fifield), Sofia Moreno and David Nasca, Joshua Reiman, Marina Resende Santos, Kaitlin Santoro, Ciaran Short, Jeffrey Slomba, Kyle Staver, Rhonda Weppler, and Christina West.

 

The College of Arts & Sciences

120 Goldwin Smith Hall
Ithaca, NY 14853
United States

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Book cover of Mensch und Tier in der Antike

Mensch und Tier in der Antike

Mensch und Tier in der Antike. Grenzziehung und Grenzüberschreitung.

Humans and Animals in Antiquity. Boundaries and Transgressions.

Klarman Hall

Mathura Umachandran

Mathura Umachandran is a classicist by training. Her work is committed to tracing the development of the methods and ideological forms of Classics in the post war Humanities and, thus, how Classics operates in contemporary culture in collaboration with systems of power. She wrote her dissertation in the department of Classics at Princeton University (2018) and comes to the Society for the Humanities after a post-doctoral position on the Anachronism and Antiquity project at the University of Oxford (2018–2019) and a Visiting Fellowship at the Institute of Classical Studies, London (2019–2020). She has recently co-edited a special issue on ‘Anachronism’ in Classical Receptions Journal (2020), in addition to articles on Iris Murdoch’s reception of Aeschylus, the conceptual history of ‘World Literature’, and public facing essays that addressed Classics as a racialized form of knowledge-making. At Cornell, Mathura will be working on her first book, ‘Critical Mythologies: Classical Reception and the Frankfurt School’, which explores how the first generation of Critical Theorists made turns to Greco-Roman myth, seeking intellectual resources beyond enlightened reason. ‘Critical Mythologies’ examines how Theodor Adorno, Max Horkheimer, and Herbert Marcuse not only exploded the cultural value of antiquity itself by revising the concept of ‘myth’ in various ways, but also how they deployed specific narratives (the usual philosophical suspects Oedipus and Odysseus, as well as the less obvious candidates Narcissus and Orpheus) as openings for theorizing new political horizons of knowledge-making about the subject and her relations with the world.

/mathura-umachandran
Klarman Hall

Georgia Marina Andreou


Georgia Andreou received her PhD in Archaeology from the University of Edinburgh. Her research focuses on the Prehistory of the Eastern Mediterranean and her interests include:

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