Andrew Hicks

Andrew Hicks’ research focuses on the intellectual history of early musical thought from a cross-disciplinary perspective that embraces philosophical, cosmological, scientific and grammatical discourse in Late Antiquity and the Middle Ages, and spans the linguistic and cultural spheres of Latin, Greek, Persian, and Arabic. His first book, Composing the World: Harmony in the Medieval Platonic Cosmos (Oxford University Press, 2017), won the ASCAP Foundation Deems Taylor/Virgil Thomson book award (2018) and the Society for Music Theory's Emerging Scholar book award (2018). He collaborated with Fr. Édouard Jeauneau on  John Scottus Eriugena’s Commentary and Homily on the Gospel of John (CCCM 166, Brepols 2008), and he is currently preparing the first edition of William of Conches’ Glosulae super Priscianum (Brepols). His published essays range across the history of music theory, late ancient and medieval Pythagoreanism, the reception of Martianus Capella, textual criticism, and musical metaphors and modalities in Classical Persian literatures. He won the 2018 Berlin Prize from the American Academy in Berlin for research on his next book project, tentatively titled The Broken Harp: Listening Otherwise in Classical Persian Literature.

Hicks is cross-appointed to the Program in Medieval Studies, where he serves as the resident Medieval Latinist, is a member of the Graduate Fields of Classics, Near Eastern Studies, the Religious Studies Program, and is affiliated with the Carl Sagan Institute. He regularly leads graduate seminars in the history of music theory, medieval Latin literature, Latin paleography and codicology, medieval cosmology, philosophical commentaries, and musical thought in medieval Arabo-Persian cultures, and he teaches undergraduate courses in music history and theory. He is co-editor of the Journal of Musicology, associate editor of the Journal of Medieval Latin, and is on the editorial board of TEAMS and the board of directors of the Westfield Center for Historical Keyboard Studies.